Paris: Seuil, 2004.ДўThe title of his novella underscores the authorвЂ™s paradoxical desire to remain anonymous by distancing himself from his former self and at the same time expose his self as the narrator of his story 4.

Est-il je? Roman autobiographique et autofiction.

In an earlier poem entitled вЂњSelf PortraitвЂќ 3, Ramanujan had already evoked this disjunction between the ego and the ego ideal: K RamanujanвЂ™s title translates the non-coincidence between the self and the representation of the self. This tension is perhaps much more pronounced in the autobiographies of writers and artists who cross borders, whether real or imaginary. In autobiographical writing, there is always a tension between the retrospective impulse to fix oneвЂ™s self (вЂњthis is how I became who I amвЂќ) and the experiential impulse to stay open (вЂњthis is how I have become what I am becomingвЂќ) 2. Apart from the question of why the author wrote in his mother tongue in a foreign land about an event that occurred some twenty years before, what intrigues us most in this migrantвЂ™s mock autobiography 1 is its title. Oxford University Press recently brought out an English translation (2006) of this novella by Tonse N. Ramanujan wrote a novella entitled Someone ElseвЂ™s Autobiography divided into twenty-two short chapters in his mother tongue Kannada in Northfield, Minnesota between the years 1976-1977 about a trip that he made to Madras as a fourteen-year-old in the company of his father in 1953. reprinted 2006.ДЎ The Well Known Indo-English Poet A. Chiantaretto, Jean-FranГ§ois (dir.), LвЂ™Г‰criture de soi peut-elle dire lвЂ™histoire?, Paris: Г‰ditions (.) For a brief biography of Attipat Krishnaswami Rmanujan, consult the following webpage: (.)

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